We’re in the 70s. Pietro, a writer looking for inspiration, sets out to find a job as an attendant at an asylum to draw from the ill stories of the patients and gets hired. Among the patients, one in particular catches his attention: David, a man in a semi-vegetative state that confesses he killed the woman he paints in all of his portraits. Pietro notices a striking resemblanc...
虽然有小瑕疵,但整体诚意满满值得支持。
服化道极其考究,还原度让人惊叹。
群像戏特别精彩,每个配角都立体鲜活。
编剧脑洞大开,设定既新奇又合情合理。
泪点低的朋友请备好纸巾,后半段哭到缺氧。
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